who the fuck is this moron, and why are you on this webpage?

firstly, rude. this is my website, and this page is for one of my classes. i could be asking you the same question, who tf invited you here?, huh, HUH??.. anyway, welcome to the shitty 2025 art exhibition of this dumbass rat and your local moron, me! :D

this site is currently a WIP and doesnt have much on it. if you have some how managed to find this page, uhhh,,, idk, leave?, or stay i dont really care. you can look at all the silly little pitures if you want :3

note:

because i am so good at web design and all that shit, this page works awfully on any smaller device. because of this i have added the ability to scroll on each text panel if it inevitably overflows.:- if you are using a even smaller device, like a phone. i recommend not even trying, or enabling desktop mode and straining your eyes.:- this entire note is rendered completely useless if you’re already such a device, but whatever.:-

if you struggle to read any of this, i am very sorry about that. my writing skills aren’t that great and the way that i write just kinda sucks. i hope for it to get better in the future, or just suck less.

this piece shows the faces of 2 stylized rats close together, facing opposite directions with radial symmetry. perhaps a dance?. a gentle duet of shapes that form their flat world. the usage of value to lift them up from the background, forming a clear visual hierarchy from the centre out. the piece is filled with organic shapes, as quoted by some rando on the internet that i don’t know at all: “SO MANY ORGANIC SHAPES” . thank you random internet person.:-

this piece was created using the *pen tool* in krita (its not called that but i cant be bothered googling it), but i bet you knew that already, because you’re so smart, aren’t you. i also bet you know that i sketched the piece before hand to properly lay things out. because you know oh so much i’m sure you can even explain how i used the bezier curve tool (i googled it) to draw all the lines and manually adjusted all of the nodes and curves after making the rough flat shapes filled with some colour. you may as well mention that i only drew on one side of the canvas and i just duplicated the layer, rotated it and merged it down to get radial the symmetry. because i don’t think there’s a way do it normally, or i’m just stupid, both have a 100% chance of being true. also using a layer to cover the entire piece in greyscale so i can make sure all the colours are readable and that the rats stand out, as they should,:- but i don’t get why you want me to explain what you already know.:-

i really just wanted to create something with rotational symmetry that has a cool design, and that was my main goal. did also want to express some emotion related to that, spiralling?, fear?. it doesn’t matter.:- although, one may say it means something, would one be correct?. its hard to say, bc i donno bro.. i could explain my connection to this animal, but then i would have to talk about FISH, and who i their right mind would ever do that, not me. i could talk about all this being very clearly furry related, and i am NOT DONING THAT, OH MY GODS. maybe some other time.:- this piece is is about my connection to this piece, circular, spiralling, and confusing. this. it represents me trying to explain this piece, which means something.:-

this piece is alright. i will most definitely continue this exploration into symmetries and probably not with my vector journey. vectors are nice, but do not easily contain the chaos of the brushstroke. even less than digital itself.

why can i only spiral downwards?, i want to spiral up. up, up and away.:-

one's eyes first being drawn to the warmth at the bottom of the piece, slowly being dragged to the centre by the texture formed by the uneasy lines, helped by its symmetrical and balanced nature (nothing -not nothing- is usually balanced). she sits all alone in this empty space. the only thing with her is some stupid light rudely interrupting the very important thing that she’s doing (how rude!). the contrast in value emphasizing the nothing surrounding her.:-

this work shows an anthro rat sitting in the centre of a dark room, with a bright light on her. biting herself and bleeding everywhere, staring far beyond the observer.:- its a purely digital piece, drawn with what i -for some reason- continue to believe are my own two hands. carving her out of the black background as if from stone, but nowhere near as cool.:-

this painting depicts a point in between ungracefully falling on onto the floor in a tangled mess, and mentally waking up after noticing all the blood that somehow got everywhere.:- this memory on the canvas, that's all i wanted, that was my goal. just to get this stupid thing out, an attempt to express.:- sometimes things just happen and you don't know why, or you do but would rather not say (this the former)

this piece will continue the chain of influence to my future artworks of being overly personal, and far too telling. which is way better than being within my mind i’d say.

it sucks and hurts, and that’s the point. i enjoyed this piece.:- ill put this stupid little painting next to my stupid little mirror, so when ever i see my stupid little face ill know that the now is merely stupid. and that is better than this, again and again, forever.